I didn't pick it up solely for Diana though - This was home to one of the most interesting families in the period that I am extremely interested in. The First Earl Spencer and his wife (eighteenth century) had two infamous daughters. Their eldest daughter, Georgiana born in the late 1750's who later married the 5th Duke of Devonshire She has been the subject of numerous biographies on her life. The second daughter led a quieter but only slightly less fascinating life - that was Henrietta who married Lord Bessborough. Henrietta's own daughter was the shocking Lady Caroline Lamb. So all in all this house has a wonderful coterie of historical 'ghosts' knocking around in its archives. All good material for Spencer to draw on - and he does.

Unlike a previous reviewer of this book I don't have any problems with the text and illustrations - the hanging of the paintings (the reviewer saw them turning up in different rooms) is fully explained in the text and it is easy to see which are the before photos and which are the after ones. This includes an explanation and reference in the text to which photo is the dining room before it was turned into the dining room.

What I found most interesting about this book was that it was more than just a history of the people who lived in the house, it was actually a history of the house. Of the changes which had been made over time, walls being knocked out, cladding put on, rooms covered over - all the things which happen to a stately home over 300 years of existence - and the effects which it has on the building.

Spencer is very personal in his writing, I don't think he lacks for self-confidence anyway and although it didn't detract from the book at times I found myself smiling and wondering did he really think he would ever fail?

On his step-mother, Raine. Well it has never been a secret the feelings that her step-children had for her. Given some of the things which have come out in the past I think he was remarkably restrained in limiting himself to some pithy statements on her handling of the design of the house - which I have to say seeing the photos of the rooms she decorated - I am in full agreement with him.

Still while I enjoyed the book immensely, and would recommend anyone with an interest in things English to read this book, it doesn't rate as one that I would keep on my shelves. There are books more specifically in my particular area of interest - Georgian House Style - a recent good one I read was by Henrietta Spencer Churchill which is also on Amazon.

The text describes the evolution of the house and grounds as they have passed from each generation, with the final chapter explaining the design of Diana's memorial. However, there is very little about Diana in the remainder of the book. Where she is mentioned, it is often but a sentence, as with this description of the family Bible: "...Sarah, Duchess of Marlborough's family Bible, which lists every member of the Spencer family after her, naming their date of birth, date and place of christening, godparents, date and place of marriage, spouse, children and date of death. I recently had to bring it up to date."

The book's pictures are of rooms on the ground and first floors (first and second floors in American), valued paintings, other art objects and the grounds. The Earl redecorated Althorp after inheriting it in 1992. I think his style is lovely. The house looks livable and the grouping of paintings, which he attributes to Edward Bulmer, is as special as the Earl describes.

However, it is with the pictures that I find a fault with the book. Under scrutiny, I noticed that some furnishings are in more that one room. Dated captions may have helped with this: Sir Joshua Reynolds' portrait of Georgiana, Countess Spencer with her daughter Lady Georgiana, is seen hanging in the Marlborough Room as a drawing room (page 144), while it is also seen hanging in the South Drawing Room on page 11 (decorated by the Earl) and the South Drawing Room on page 128 (decorated by Raine). We know the Earl made the Marlborough Room a dining room. So what is the time period of the room on page 144?

The treatment of Raine, the Earl's former stepmother, is the book's other fault. The Earl has used this as an opportunity to criticize her, her decorating, and even her servants. He describes Raine among "short-termist stepmothers [who] have made massive inroads into once secure inheritances." The pictures of her decorating of Althorp are the most awful pictures in the book: the chapel used as a storage area ("never patient in those days with things Christian"), a library with little furniture, the South Drawing Room in poor light.

The Earl's criticisms do not seem to fit in this book when the prior 100 pages describe how generations of Spencers have sold art and land to maintain Althorp. The Earl himself rents out Althorp for corporate business entertaining.

(Raine's decorating was featured in an article in the January 1991 Architectural Digest. Yes, she used too much gilding; her style was that of an older woman. But her furnished library really does not look much different from the Earl's and the South Drawing Room is photographed in kinder light.)

However, these two faults, and the lack of a map of the grounds, did not stop me from enjoying the book. I look forward to seeing if the Earl's latest book, The Spencers: A Personal History of An English Family, is up to the writing standard he has established here.

The pictures of Althorp were absolutely beautiful, and he went into great detail explaining the history of the contents of the rooms and the history that took place in them.

Charles Spencer stated that he was afraid, at one point, he would not make his mark on Althorp. He certainly has made a significant mark for the better. It is amazing what he has done in such a short period of time.

I would recommend this book to anyone looking for a great read. It is entertaining, funny, informative, creative and fascinating.