EATRIZ CENCI
Born in Buenos Aires, Argentina, on April 23, 1942, from small accompanying his uncle Marcelo Cenci (landscape disappeared in 1987) with his easel street campaign by Mouth. But his preference is always found in the human figure, are testimony to that old drawings that the artist retains.
He perfected his technique inspired by the great masters, attends various workshops looking for that perfect, but in the recollection of his own workshop serenity to achieve what he wanted. So we could say that Beatrice Cenci is self taught.
Participate in solo and group exhibitions and the Salon of Plastic Artist San Isidro, Falkland Hall, Casa de la Cultura de San Isidro, Autumn Salon San Fernando, The Tree Cultural Center, Gallery and Gallery Buen Ayre With Beelzebub reason Opera premiere of Ginastera Master "Beatrix Cenci" (exposed in honor of it's namesake) in the hall of the Teatro Colon in Buenos Aires his work (based on the famous Guido Reni).
Artist's Statement
The Argentine art critic Cesar Magrini said of this artist:
For a painter (for a writer, for any creator), the important thing is not the issue as Brahms advised one of his students, but knowing what to do with it then and certainly views his works, Beatrice Cenci, knows thoroughly . It matters little here and there in the rich bouquet of his works are open to other topics; Yours is the female nude, that wonderful and always return to restart geography of the human in its external and tangible manifestation, and a sumptuous without any overflow, and with a simply superb-sensorial delight Sure there are several challenges be posing and solving: the light in the foreground, which dominates down to the smallest folds, apresándola in glazes that - so much has reached the perfection of his art, I'm not talking about any virtuosity, a free exercise - are nothing more nor less than perfect. As is the rest of all that appetizing. And boy naked - and I stress, particularly women - have inspired artists of every period, schools and styles
There is also in the work of Beatrice Cenci, a healthy non-classical academic side, to not be mistaken for that rooted the great masters of the past, without losing thereby its net net, crisp taste of contemporaneity. Range generally low, which in no way amounts to monotony, very balanced use of chiaroscuro that almost maddened Leonardo (do not know his paintings because they take me unconsciously evoke), backgrounds filled with tips and suggestion, and - I repeat, I need to do - superb anatomical studies, which does not exclude other reasons - fruit that win outright, a romantic portrait treated uniquely in the multitude of their expression, and very beautiful testimony, increasingly, the talent of an artist strangely serene and temperamental at once lucid gaze and safe hands, as revealed to be Beatrice Cenci. Buenos Aires January 11, 1990
