Editorial Reviews
What a thrill this book should be for those who have yet to fall in love with sculptor Alexander Calder, who died in 1976. And it will deepen the affection the rest of us already hold for him and his fabulous creations. The author, photographer Pedro Guerrero, first took his camera to Calder's Connecticut studio in 1963, on a routine assignment with an editor from
House and Garden magazine. As soon as they arrived at Calder's shambly, magical, jam-packed home, Guerrero could sense that the editor was less than enthralled. "If I had known you were going to photograph that room," she later sniffed, "I would have straightened the slipcovers."
"What a thing to notice!" writes Guerrero, who was, as he put it, "plotting my next move." Over the next 13 years, he photographed Calder, often with his beautiful wife, Louisa, in different houses and studios, all of them mesmerizingly overflowing with wire sculptures, homemade toys for their grandchildren, stabiles, mobiles, piles of mail, chairlike contraptions, and sculptural kitchen paraphernalia. "Be careful where you step," Calder warned Guerrero in the studio, "everything here is important."
Calder at Home is as playful and entertaining as the artist's famous Circus acrobats and animals installed (alas, behind glass) in the lobby of the Whitney Museum of American Art. From the foreword by Calder's grandson to Guerrero's final, pensive photograph of the master alchemist, this is a book to dream on. --Peggy Moorman
Customer Reviews
A CALDER LOVER'S JOY!,
2001-05-31
by Byron Reimus (Yardley, PA United States)
In combination, the photography and text tell an intimate story about Calder, his wife, their life together and what mattered most to them, which you readers find anywhere else. One comes away with the sense that both of them would have enjoyed and appreciated this book as much as I do. I think this is one of the best "art books" published in years.
A very good introduction to Calder's art,
1998-05-27
by Le Mouellic Christian (France)
I bought this book after my visit to the Calder exhibition in the National Gallery of Art in Washington in May '98. It is really a very nice book. You will discover in the book that some of the masterpieces (Spring or Romulus and Remus) seen in the exhibition were found left in Calder's studio and rearranged by the artist. You will love and enjoy this book !