Caravaggio: Calvary
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An Italian village on a hilltop near the Adriatic coast, a decaying palazzo facing the sea, and in the basement, cobwebbed and dusty, lit by a single bulb, an archive unknown to scholars. Here, a young graduate student from Rome, Francesca Cappelletti, makes a discovery that inspires a search for ...more
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For the first time nearly every extant work by Caravaggio is reproduced in color in this lavish new volume, the long-awaited result of more than 20 years of research by a leading authority on the artist. In an engaging and informed text, John T. Spike explores in detail Caravaggio's scandalous ...more
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In 1992 a young art student uncovered a clue in an obscure Italian archive that led to the discovery of Caravaggio's original The Taking of the Christ, a painting that had been presumed lost for over 200 years. How this clue--a single entry in an old listing of family possessions--led ...more
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As Catherine Puglisi points out in the most beautiful Caravaggio book ever, the soulful, tormented, ethereally talented painter has become a pop icon, with a "full-blown industry of Caravaggio publications." Puglisi's book is a standout in this crowded field. With remarkable evenhandedness, she sifted through the scholarship and discoveries--and the ...more
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Notorious bad boy of Italian Baroque painting, Caravaggio (1571-1610) is finally getting the recognition he deserves. Though his name may be familiar to all of us, his work has been habitually detested and forced into obscurity. Not only was his theatrical realism unfashionable in his time, but his sacrilegious subject ...more
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Francine Prose's life of Caravaggio evokes the genius of this great artist through a brilliant reading of his paintings. Caravaggio defied the aesthetic conventions of his time; his use of ordinary people, realistically portrayed—street boys, prostitutes, the poor, the aged—was a profound and revolutionary innovation that left its mark on ...more
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This exhibition at Boston College's McMullen Museum of Art (February-May 1999) takes an interdisciplinary approach to studying the style, subject matter, and functions of religious art in Italy between 1580-1680. The conceptual centerpiece of the exhibition is Caravaggio's recently rediscovered The Taking of Christ. The catalogue reproduces in color all ...more
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