Pierre Bonnard: Child with Bucket
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Working in his villa in the south of France, Pierre Bonnard (1867–1947) suffused his late canvases with radiant Mediterranean light and dazzling color. Although his subjects were close at hand—usually everyday domestic scenes—Bonnard rarely painted from life. Instead, he made pencil sketches in diaries and relied on these, along with ...more
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With a text by the artist's grandnephew, Bonnard brings a special intimacy to the exuberant, beautiful domestic interiors, pastoral landscapes, still lifes, and portraits of the French artist Pierre Bonnard (1867-1947), whose vibrant, colorful palette drew streams of art lovers to a recent retrospective exhibition at the Museum of Modern ...more
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This volume accompanied a major international retrospective of Pierre Bonnard at London's Tate Gallery and the New York Museum of Modern Art, featuring loans from numerous public and private collections. The book includes new research by Sarah Whitfield. ...more
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Bonnard found early fame among the Nabis, the radical young disciples of Gauguin, and went on with Vuillard to create a new intimist art of psychologically charged interiors. But from 1900 he turned back towards Impressionism, and his art recreates moments of heightened subjectivity, color, and space. His greatest works ...more
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It was in 1909 that Pierre Bonnard first discovered the radiant light of the Cote d'Azur. Captivated by its luminous colours, he returned almost every year and in 1926 bought a small house, "Le Bosquet", at Le Cannet. It became his favourite working place, and was, from 1939, not only ...more
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Among those painters who incontestably left their mark on twentieth-century art, Bonnard rises to the top again and again. Museums, scholars and viewers regularly return to his oeuvre for reinterpretation, passionate and contradictory, of what it means to be Modern. In having followed a very personal calling--literally and figuratively interior, ...more
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The creativity of the most celebrated artists of the modern period has been enriched and expanded by their work in the print medium. Exploiting the potential of such techniques as woodcut, lithography, etching and screenprint, as well as other processes, these artists have added immeasurably to their expressive vocabularies. Many ...more
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This major presentation of the work of Pierre Bonnard follows a new line of enquiry reconciling what has previously been seen as two distinct early and creative periods: the Nabis or symbolist Bonnard and the later so-called Impressionist or colorist Bonnard. By uniting representative works from all periods of Bonnard’s ...more
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