Berthe Morisot: A Child in the Rosebeds, 1881
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Of the six Impressionist painters whose first exhibition scandalized and fascinated Paris in 1874, Berthe Morisot was the only woman. She reached a pinnacle of artistic achievement despite the restraints society placed on her sex, adroitly combining her artistic ambitions with a rewarding family life. Anne Higonnet brings fully to ...more
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This book provides an inside look at impressionist painter, Berthe Moriscot. ...more
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Like her colleagues - Cassatt, Degas, Monet and Renoir - Berthe Morisot sought to represent the experience of modern life, a project that for her entailed rethinking what it meant to be a woman in the 19th century. Through close attention to the artist's work and its context, Anne Higonnet ...more
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Our Paris guide will lead you through the most famous landmarks as well as the more intimate sites. The Louvre, Musee D'Orsay, Malmaison, L'Orangerie, Versailles and the Musee Marmottan are just a few of the many highlights. Follow the historic trails of some of the most notable French figures. You'll ...more
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This lovely collection reproduces 24 of Morisot's finest works, among them The Coiffure, 1894; The Cradle, 1872; Julie Playing the Violin, 1894; and The Little Flute Players, 1891. Ideal for sending greetings to friends and art lovers, these charming cards can also be framed or simply added to a personal ...more
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The French nineteenth-century woman painter Berthe Morisot was held by her contemporaries to be the 'quintessential Impressionist'. She was an influential member of the Impressionist group, whose exhibitions she organized with her colleagues Monet, Renoir, Pissarro and Degas. This book considers her work in the context of the artistic and ...more
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The full text of Valery's book on Degas, with a long essay on Corot, others on Berthe Morisot, Manet, and Daumier, a personal recollection of Renoir, and writings on sculpture, portraiture, Italian painting, and several minor arts. ...more
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