Pierre Bonnard: France, Champagne
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Among those painters who incontestably left their mark on twentieth-century art, Bonnard rises to the top again and again. Museums, scholars and viewers regularly return to his oeuvre for reinterpretation, passionate and contradictory, of what it means to be Modern. In having followed a very personal calling--literally and figuratively interior, ...more
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This major presentation of the work of Pierre Bonnard follows a new line of enquiry reconciling what has previously been seen as two distinct early and creative periods: the Nabis or symbolist Bonnard and the later so-called Impressionist or colorist Bonnard. By uniting representative works from all periods of Bonnard’s ...more
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Working in his villa in the south of France, Pierre Bonnard (1867–1947) suffused his late canvases with radiant Mediterranean light and dazzling color. Although his subjects were close at hand—usually everyday domestic scenes—Bonnard rarely painted from life. Instead, he made pencil sketches in diaries and relied on these, along with ...more
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The French artist Pierre Bonnard (1867-1947) was a successful painter, draughtsman, photographer, printmaker, illustrator, and interior designer and his works continue to surprise and overwhelm new generations of art lovers. This handsome catalogue brings together more than 110 paintings, drawings, lithographs, and photographs, concentrating on works from both public and ...more
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The private art collection of Mrs. Carmen Thyssen-Bornemisza is considered one of the most important in the world. The Thyssen-Bornemisza Museum has published these two volumes to accompany the permanent exhibition of the International Collection, which includes 345 works of art by Brueghel, de Hooch, Van Goyen, Canaletto, Fragonard, Constable, ...more
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Reviewing the work of Bonnard, one of the best-loved artists of the modern period, this book draws insights into his personality from his paintings. It is published on the occasion of a retrospective exhibition at the Tate Gallery, London, in February 1998. Bonnard's association with the Nabis, especially Vuillard, inspired ...more
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It seems somehow revolutionary that a turquoise-blue painting graces the cover of Bonnard, the catalog accompanying a 1998 exhibit at the Museum of Modern Art in New York City. The color of the endpapers--deep yellow--tells readers that even the book designers know with which end of the color spectrum most ...more
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The creativity of the most celebrated artists of the modern period has been enriched and expanded by their work in the print medium. Exploiting the potential of such techniques as woodcut, lithography, etching and screenprint, as well as other processes, these artists have added immeasurably to their expressive vocabularies. Many ...more