Customer Reviews
How On Earth Did This Get Published?,
2008-09-07
by barbara rhodes (british columbia)
How did the writer convince anyone to publish this poor rendition of drivel? Her English is appalling, she jumps all over the time line and doesn't introduce people throughout the book. Given that I have read ever other book on Ms. O'Keefe I really think this one was a complete waste of time.
Excellent information regarding Georgia's life,
2007-03-03
by Sharon Shirin (Aurora, Colorado)
Well written book and excellent research. Enjoyed very much.
Tremendous and important detail lacking in other biographies,
2006-06-20
by B. Horrigan (MA USA)
Detailed and thoughtful, and a riveting read if you really want to understand this artist's life. After reading dozens of books and articles about O'Keeffe during the course of my own research on New York-inspired artwork, I didn't think another O'Keeffe biography was necessary. But I'm grateful I found this book. I learned so much more about this artist--about her friendships, her travels beyond New York and the Southwest, and her abstract works.
Gave me a new appreciation for O'Keeffe's art,
2005-06-28
by Sally Lehman (Gresham, Oregon USA)
I never really liked O'Keeffe's more abstract paintings until I read this biography. Now I can look at them with an improved understanding of what they mean and what she managed to accomplish for female artists everywhere. It's equally nice to see the artist as a person with her own foibles and nuances. The author has done a remarkable job here.
More than you ever wanted to know about Georgia O'Keeffe,
2005-06-06
by Grady Harp (Los Angeles, CA United States)
Hunter Drohojowska-Philp is a sound writer, one who obviously does her research inexhaustibly, and with a background in art criticism she also speaks with authority and an informed eye. But she does go on....
For those who want to know more about the idiosyncrasies of this American idol then this is the resource of choice. We learn more about the frustrations, self doubt, love affairs, and general personality quirks than in all the other biographies combined. We also learn about each painting in depth which I suppose is like a verbal catalogue raissonne and for that we should be thankful.
It is just that with all great artists not everything they make is of show quality and it is this inclusion of all of the odds and major ends of O'Keeffe's work that borders on tiresome. It is with a good degree of relief that the last page of this nearly 500-page opus is reached.
Hunter Drohojowska-Philp obviously holds Georgia O'Keeffe in a realm close to Valhalla and that is all well and good. She writes with vigor and determination and certainly informs us of the 'full bloom' of her title. In the end this is a valuable volume for the archives, but not a book to recommend for the casual reader who has already grown visually fatigued with the Santa Fe posters of poppies, ox skulls, and datura flowers. Grady Harp, June 05