Camille Pissarro: L'Hermitage at Pontoise, c.1867
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Camille Pissarro (1830–1903) was a ceaseless innovator and organizer whose ideological concerns were as profound as his aesthetic interests. Camille Pissarro: Impressions of City and Country examines how Pissarro's artistic theories and social convictions influenced his Impressionist and Neo-Impressionist work. Pissarro espoused an anti-bourgeois, anarchist ideology and was interested in ...more
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From the mid-1860s to the mid-1880s two artistic legends, Paul Cezanne and Camille Pissarro, executed numerous paintings side by side as they worked in Pontoise and Auvers. This book was published in conjunction with an exhibition of 74 paintings and 8 drawings that embody the core of the two artists' ...more
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Camille Pissarro (1830-1903) was the only member of the Impressionist group to exhibit in all eight of their exhibitions held in Paris between 1874 and 1886. He drafted the Impressionist convention and was the principal organizer of the first exhibition held in 1874. He was a bold and restless experimenter ...more
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Studying the effects of light, climate, and the seasons, Camille Pisarro experimented with art theory and technique, and fused a distinctive style that remained his own within the larger style of Impressionism. This publication presents Pisarro's oeuvre in all its thematic and artistic diversity. It is a spectrum which extends ...more
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Impressionist artist Pissarro's great-grandson Joachim presents the diversity and charm of his ancestor's work in 205 color images and 149 black-and-white photographs. A fresh, engaging look at the genius of an artist ever receptive to new ideas. Size D. $75.00 after January 1, 1994. ...more
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Pissarro's weekly letters to his son Lucien, covering the dramatic period of Impressionism from 1883 to the painter's death in 1905, form what might be called a diary of the Impressionist school. In these wise, reflective, warmhearted missives, Pissarro, called the father of Impressionism, presents the growth and development of ...more
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The private art collection of Mrs. Carmen Thyssen-Bornemisza is considered one of the most important in the world. The Thyssen-Bornemisza Museum has published these two volumes to accompany the permanent exhibition of the International Collection, which includes 345 works of art by Brueghel, de Hooch, Van Goyen, Canaletto, Fragonard, Constable, ...more
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Martha Ward tracks the development and reception of neo-impressionism, revealing how the artists and critics of the French art world of the 1880s and 1890s created painting's first modern vanguard movement. Paying particular attention to the participation of Camille Pissarro, the only older artist to join the otherwise youthful movement, ...more
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