Having just traveled to the Society Islands I wanted more info on Paul Gaugin. This translation of his journal provided insight I would not have gotten otherwise. Combined with other biographies it rounded out the picture. Recommend it if you are interested in either the South Pacific Islands or Gaugin and his art.

I picked it up for a school project and it was fantastic. It's just a nice little journal, I feel there is more but I don't know for sure, this may be all there is in the tahiti journal of Paul Gauguin. The pictures are great, the translation is very well done. Excellent read.

This is a jewel of an art book by one of the greatest painters of the late 1800's and early 1900's. Originally considered too racy to publish in France, this 2005 English edition of the banned 1894 illustrated personal journal is probably how Paul Gauguin would have liked to have seen his text and art work combined for publication. The color and layout do justice to his artistic creations. The only change the artist might have still wished for was to have the book's format slightly larger since some of his woodcuts and the original journal itself are slightly larger than this reproduction of the work.
The book has a short 1962 introduction by W. Somerset Maugham that is somewhat amusing in that it tells how Maugham traveled to Tahiti to research Gauguin for a book he was considering writing about the island's most famous painter. He found one of the actual huts where Gauguin had lived and worked and purchased one of the glass panels that Gauguin had painted for one of the hut's three doors. The children living in the hut had passed the time scratching the windows clean and already destroyed the other two door paintings. Maugham bought the half door containing the one surviving glass panel with its painting of "Eve, nude, with the apple in her hand" still intact for four hundred francs and had it shipped back to his home in New York. It was in his writing room at the time he wrote the introduction for this volume.
Relating the antidote of Maugham's good luck and prowess at art collecting was the only subject covered in the introduction. But it did illustrate how little remained in Tahiti of Gauguin's stay in the Island Paradise. There was even less left there after the famous writer's research visit.
Gauguin's text is much more interesting. He tries to capture some of the purity of the native culture that was being quickly destroyed by the European invasion. I particularly liked the stories of one of his treks into the land of the Gods near the center of the island as well as his story of taking a local wife (concubine) from among the natives. After the deal was made with the 13-year-old girl's parents and stepparents, she accompanied her new mate home. After eight days the woman was required to return to her home and if she had decided she didn't like the match, she never returned to him. That's how divorce was handled in Gauguin's Paradise.
Gauguin attempted to explain the secret and mysterious history, legends and religious beliefs of the natives. His paintings and wood block prints helped him with this documentation. Why he suddenly left his idyllic life in paradise after only a two year stay to return to France in 1896 isn't explained in his journal. He only describes the pain it caused him and his beautiful native mate who he never saw again.
This is a must read for any fan of Paul Gauguin's artwork. Unfortunately, it only answers a few of the many unanswered questions about the great painter's life. And new questions are brought up and then abandoned. Personally, I would love to have read more about the former cannibals he met while living in his South Seas Paradise. Too often Gauguin only touched on some really fascinating fact and then left the reader dangling and desperate to know more. It's still a beautifully illustrated must read!

This was very interesting reading just before going to the South Seas. Wonderful to see the islands as he saw them and described them in this journal. Well worth reading!

This is a lovely book... and, brief though it is, helped me to understand more about Gauguin's reasons behind his actions. I read it at a perfect time - when the Metropolitan Museum of Art in NY was holding one of their most important exhibits on Gauguin and featured his wood cuts. It's a colourful, passionate and painful journey.