I am primarily interested in landscape painting, this artist is an accomplished portrait/figure pastellist but his florals and landscapes as evidenced in this book are so poor,,flowers are bright blobs and his landscapes are uninspired heavily into muddy ugly earth colors and of a quality that if i were offered one of his pics I would not give it wall space, The advice in general is pretty good but in no way is this small tome a source of true inspiration,,,unless you are a figure specialist and even then the details as to what hues/actual colors were used are very scanty (if given at all ) To me a near worthless instruction book,,pass on this one as it promises much more than it delivers,,

The author is a pioneer and talented artist in oil pastel.He gives very valuable info about this medium--a long forgotten and underrated, even though promoted by Pablo Picasso...The book ,however, is 'sketchy' in details and techniques.The illustrations and art work are excellent, but somewhat repetitive...A good introductory book for enthusiasts of oil pastels and beginners, till a better book is written by someone else---after this medium becomes better used and established in the fine art world.Soft pastels have been with us for many decades, thanks to Degas and Mary Cassatt...Oil pastels are still to be pushed by great masters....Fortunately oil pastels are available at various price ranges for students and professionals...One learns more by trying different brands rather that sticking to just a few brands---Holbein or Sennelier...
With increasing concern for toxic dust particles from Soft pastels, oil pastels would be more widely used and this book would serve the newcomers well.

If you are a painter or illustrator who is looking to move from another medium into oil pastels, then this is the book for you. Mr. Elliot is a really talented artist and knows his subject. You will gain a lot from this book.

However, if you have little-to-no drawing/painting experience or you are an absolute beginner (like me), you will find yourself very, very frustrated by this book. I have found a few helpful things here, but overall, I think that I would need a year's study *before* I could effectively utilize Mr. Elliot's book.

This book is a very good book expressly devoted to oil pastels-but that said, in comparison with the only other book on the subject that I know of, it is a distant second. (There are a couple other obscure ones which I haven't seen) My favorite is "Oil Pastel: Materials & Techniques For Today's Artist", by Kenneth Leslie, 1990, Watson-Guptill Pub. Because it is out of print & only available second hand at inflated prices, unless Amazon can bring it back in print, or you are prepared to pay inflated prices (for something you cannot see & evaluate for yourself in advance), we are left with the book by Elliot.
Elliot covers a moderate (compared with Leslie!) amount of basic info & gives you a look at the oil pastel works of other artists as well--something I consider very important, especially if the author's work doesn't grab you, & also because you get to see how other sensibilities handle the medium. And he gives a taste of the history of oil pastels; he talks about various papers, etc; he mentions only two brands: Sennelier & Holbein (both premier brands) but there are others he does not mention which are evaluated in Kenneth Leslie's book. Leslie gives you a ton of facts & ideas: shows you how to make your own oil pastels if you desire, & how to prepare paper, etc., for receiving oil pastels (whose oil content can deteriorate paper) & lots of other info very useful for anyone wishing to know technical stuff about the medium.
Elliot's book is a good companion to the one by Kenneth Leslie, & I consider myself fortunate to have both. But if you could only choose one, & it were available, I would choose Kenneth Leslie's book!

This book is a dream come true for the lovers of the long under-rated medium of oil pastel. Despite the fact that this worthy artists medium was first commissioned by none less than Pablo Picasso, it has remained at most despised by 'serious' artists, as a tool for students or the kindergarten or regarded as a means for sketching or preliminary working of ideas.
John Elliot demonstrates with unbridled enthusiasm that oil pastel is not only an exciting form of expression but perhaps the medium of the future standing along-side oil, soft pastel and the usurper, acrylic as a real option for artistic expression.
The book is a joy to own and J. Elliot leaves no doubt as to the power and flexibility of this medium.
Everything is covered clearly and the illustrations again demonstrate the full versitality of oil pastel, both wax and the new water-soluble media. Instructions are clear and concise drawing from years of experience.
This book is perhaps the 'Bible' of the oil pastel.
At last oil pastel gets the recognition it desesrves.