Sol Lewitt: Paris Review, 1984
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Sol LeWitt, who once worked as a draftsman for I. M. Pei, has said of his own directions for drawings executed by collaborators that, "The contribution brought by the draftsman may not be predicted by the artist, even when the artist is also the draftsman." This separation of the plan, ...more
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Visual art in the period following World War II witnessed landmark transformations. Today, drawing provides a powerful and vigorous device for reexamining the art of that period, and for renewing appreciation of the extraordinary achievements of well-known artists--and for discovering others. Even though the art of these years saw radical ...more
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Begun in 1974, Incomplete Open Cubes is a sophisticated and elaborate expression of conceptualist art-making by Sol LeWitt, one of the most influential abstract artists of his generation. No other serial project by LeWitt or his contemporaries embodies with such eloquence so many of the central artistic concerns of the ...more
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What if an ordinary little coloring book were to be upgraded with a set of 54 energetic line drawings by some of today's best-known contemporary artists instead of the usual dumbed-down pedagogical renderings? And what if the proceeds from the sale of this high-art coloring book were to go to ...more
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'LeWitt x 2 offers a unique perspective on the work of renowned Minimalist and Conceptualist Sol LeWitt, documenting the arc of his career alongside his personal collection of contemporary art. LeWitt is one of the most influential artists of the twentieth century. His geometric sculptures, groundbreaking wall drawings and striking ...more
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Josef Albers and Sol LeWitt are split by fundamentally different understandings of their work, but united by a powerful, overarching and defining goal, the avoidance of emphatic ideas of authorship and the de-emphasis, even, of the star system inside an author's own oeuvre. Both keep their works from getting uppity ...more
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Published from 1967 to 1969 in seven limited mimeographed editions, 0 to 9 was edited by artist Vito Acconci and poet Bernadette Mayer. Seeking to explore the relationship between language and the page, Mayer and Acconci brought together the pioneers of 1960s experimental poetry and conceptual art. Sol LeWitt, Adrian ...more
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Photography has become an increasingly pervasive medium of choice in contemporary art practice and is even employed at times by artists who do not necessarily consider themselves to be photographers. How did this come to be? The Last Picture Show will address the emergence of this phenomenon of artists using ...more
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Artwork by Sol Lewitt, Robert Rauschenberg. Edited by Octavio Zaya. Contributions by Fawzia Assad. ...more
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Artwork by Sol Lewitt. Edited by Christina Bechtler. Contributions by Charlotte von Koerber. ...more
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