When I became interested in pastels, I took a dozen books out from the library including Mowry's THE PASTELIST'S YEAR, all of Paul Taggert's books, THE PASTEL BOOK, etc.
I found Mowry's books helpful regarding her use of color in this book to change the season of a scene - it's amazing. I learned a lot looking at her different views of the same scene painted to represent the different seasons. Very illuminating to say the least.
I thought thee pictures were small and could have been made larger for the serious student to see the illustrations better.

There doesn't appear to be any print quality issues with the photos in the book. There are several step-by-step photos that don't have some of the colors added yet because they are showing how the pastel sketches were made! See pg 81 for an example. There are also some extreme close ups which show the natural grain of the strokes to show how the larger image was created. These type of photos are exactly what any reader (beginner or expert) wants in an art technique book. The previous reviewers that didn't bother to read the captions of the photos should be a little ashamed if this is what they were describing. The book also has photos of the finished pastels. In general, the book and is filled with quality photos of pastel landscapes and appears to have good instruction throughout.

Elizabeth Mowry has taken the time to establish a palate for the colors appearing in the four seasons; however, they were difficult to study since they were on different colored backgrounds. I especially liked the way she heightened the color temperature on some of her paintings. I wish she had used a greater variety of strokes. I recall that she favors the feather stroke, which was effective. She seemed to work more saliently with contrast, composition, color temperature, texture using traditional landscape themes. It would have been helpful to have a couple of paintings actual size so that I could have seen the "actual" painting. The cover has two flaps which could be used as bookmarks, which is a thought!

I have read this book twice and some portions three times. I find Elizabeth Mowry to be very sharing and knowledgeable and willing to show you how she achieves certain passages in her paintings. I had been going through a dry period, and this book opened up new worlds for me. I especially liked that she tells you to make small sketches, color sketches and use photographs. All these things were beneficial to me and I wish I could thank her personally for her very inspirational book. I have also given her book to friends and they all love it.

I bought this book and ws really disappointed when I leafed through more thoroughly and found MANY of the illustrations were out of focus, and one had a HUGH printer error where the image was blocked on one of the printer's colors.

I returned this book and have repeatedly looked at it at the book stores to see if a re-issued copy comes out that corrects these problems. My estimate is that there are 7-8 plates that are defective.