Joan Miro: Personnage et Montagnes
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Taking Joan Miro's notorious declaration of 1927--"I want to assassinate painting"--as its point of departure, this richly illustrated volume is the first to focus on Miro the "anti-painter," identifying the core practices and strategies the artist used to challenge painting between 1927 and 1937. Joan Miro: Painting and Anti-Painting 1927-1937 ...more
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This title in the Modern Masters series focuses on the work of Joan Miro, one of the painters most often associated with surrealism. Miro studied art in his native Barcelona before joining the Paris art scene in the 1920s. Fantasy, dreams, and myths played an important role in Miro's early ...more
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Miro's art has been seen as innocent and child-like, but one should dubt the innocence, or see the child in quite brutal Freudian terms. This study of the crucial formative period of Miro's artfrom 1917 to 1934, from his first emergence in the avantgarde of Barcelona and Paris to his ...more
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Henri Matisse, Pablo Picasso, Joan Miro and Andy Warhol each significantly shaped the development of art in the twentieth century. These Modern masters are the subjects of four small books, the first volumes in a series featuring important artists in the collection of The Museum of Modern Art. Each book ...more
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Many of the key achievements in art of the last 125 years have been worked out on paper. From pictorial investigations that expanded the possibilities of vision to the invention of entirely new kinds of media, drawing has been the perfect laboratory for avant-garde experimentation. Drawing from the Modern traces ...more
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Originally published in 1928 and augmented throughout the author's life, Surrealism and Painting is the single most important statement ever written on Surrealist art. While many pages have been devoted to visual Surrealism, this is the only book on the suject by the movement's founder and prime theorist. It contains ...more
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Tracing Miró s career, this book begins in the 1920s with the artist s introduction to surrealism, cubism, and dadaism, and the flowering of his friendships with Picasso, Braque and other influential artists and poets. It moves on to his creation of an iconographic pictorial style, which reached maturity in ...more
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Forty important lithographic prints with line and composition comparable to Miro's friend Picasso. Eerie, droll, technically brilliant, and aggressive. ...more
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