This first ever survey of the subject demonstrates that realism has had a continuous yet restlessly changing place in American and European painting throughout the twentieth century--from Eakins, Bellows, and Homer, through Vuillard, Bonnard, Schiele, Morandi, Hopper, and Giacometti, to Balthus, Lucian Freud, and David Hockney. Most accounts of twentieth-century
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