Editorial Reviews

In the predawn gloom of a February day in 1994, two thieves entered the National Gallery in Oslo. They snatched one of the world's most famous paintings, Edvard Munch's The Scream, and fled with their $72 million trophy. The thieves made sure the world was watching: the Winter Olympics, in Lillehammer, began that same morning. Baffled and humiliated, the Norwegian police called on the world's greatest art detective, a half-English, half-American undercover cop named Charley Hill.

In this rollicking narrative, Edward Dolnick takes us inside the art underworld. The trail leads high and low, and the cast ranges from titled aristocrats to thick-necked thugs. Lord Bath, resplendent in ponytail and velvet jacket, presides over a 9,000-acre estate. David Duddin, a 300-pound fence who once tried to sell a stolen Rembrandt, spins exuberant tales of his misdeeds. We meet Munch, too, a haunted misfit who spends his evenings drinking in the Black Piglet Café and his nights feverishly trying to capture in paint the visions in his head. The most compelling character of all is Charley Hill, an ex-soldier, a would-be priest, and a complicated mix of brilliance, foolhardiness, and charm. The hunt for The Scream will either cap his career and rescue one of the world's best-known paintings or end in a fiasco that will dog him forever.

Customer Reviews

Not as Interesting as the da Vinic Code, 2008-08-29
by J. T. Mills (Texas)

This is an interesting story about art theft, in general, and specifically the theft of Edvard Munch's The Scream. I found the interworkings of undercover police work fascinating. However, it is not as the story of the recovery is not as fascinating.

So So story telling, good story, 2008-08-27
by Ian M. Bunch (Chestertown, MD United States)

The subject was very interesting and it will probably be made into a good crime movie, but the writing was average and the plotline jumbled....

Informative but tedious at points , 2008-08-01
by John E. Drury (Washington, DC United States)

Starting out with a detailed recounting of the 1994 theft of Edvard Munch's iconic painting entitled "Scream," the book ends with its recovery. Sandwiched in the middle is a lumbering tale about Dolnick's hero, a Scotland Yard cop of American British lineage, who specializes in art recovery. Dolnick is a fine writer; his dialogue flows and his descriptions are colorful and paint a good scene. His research and grasp of the art theft world and its motley crew is complete. He enthuses so much over his hero that it weighs down the story to the point where the structure of the book compares to a canoe; sharp at the ends and bulging out in the middle.

A good, really fast read, 2008-07-09
by Patsy (Freeport, NY)

The Rescue artist is a swift and exciting book that revolves around Charlie Hill, an unforgettable (and quite real) detective on the hunt for missing masterpieces, in this case Edvard Munch's classic "Scream" stolen from a museum in Oslo, Norway. Dolnick writes crisp, well-turned sentences that pull the reader along. I felt like I was reading a good, long magazine article, like in the New Yorker. At times the story jumps and shifts around too much, and I had to backtrack a couple times to pick up what was going on, but this is really good stuff, entertaining as can be. Highly recommend.

Interesting, but too long and digressive., 2008-04-15
by Gary E. Cordingley (Athens, Ohio)

If the reader is interested in a fast pace and action, then this book will not satisfy. The basic story is not a lengthy one. The digressions into background matters provide useful peeks into assorted issues, such as thievery, forgery and the art world, but go on for too long and should have been condensed. I found myself impatient for the story to move forward. The sheer number of delays and digressions bordered on comical.