Stenberg Brothers: Constructing a Revolution in Soviet Design

by Peter Kenez, Christopher Mount, Georgii Stenberg, Vladimir Stenberg
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Editorial Reviews

The Stenberg brothers, like their contemporaries Aleksandr Rodchenko and El Lissitzky, were artists of immensely varied interests and eclectic skills. They were sculptors, architects, and stage and costume designers, and were enamored of the film and montage theories developed in the suddenly burgeoning Soviet film industry. As seen in this book's superb colorplates, they brought to film poster design an extraordinary compositional dynamism, originality, and contrast of scale, employing many of the artistic conventions of the Constructivist movement to great effect.

Customer Reviews

A graphic artists'MUST HAVE reference., 2000-09-03
by Lifetime Artist (Gulf Coast, FL USA)
There have been many great graphic artists in the past several decades. In my opinion, The Stenberg Brothers produced some of the finest graphical works of art in this Century. The Stenberg Brothers lived and produced their Art in 1920's...and 1930's. Fueling the Soviet propaganda machine. Look beyond the thorns of the Soviet era propaganda machine. If you are a true graphic artist, you will definately appreciate the fantastic talents of the Stenberg Brothers and Soviet-era art. The Stenbergs were Masters of the Graphic Arts. This book should not be listed as a "book". Rather, it should be listed as an artists' portfolio. This "portfolio" of Soviet artwork is a MUST for everyone with an interest in appreciating the graphic arts. The Stenberg Brothers were truly MASTERS of their medium. This BOOK is packed FULL of high quality, premium-paper-stock reproductions of the best works these brothers have ever produced. I recommend it wholley!
A great look at early Soviet-era poster design, 1999-09-23
While mostly confined to the movie posters that the Stenberg Brothers produced in the early years of the Soviet Union, this book still includes enough general history to help the reader view them in the context in which they were produced. Well-illustrated (most illustrations are in full color) with easy to comprehend text, this would be a valuable volume for anyone interested in graphic design. It will also appeal to students of the Constructivist movement.

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