This book will be appreciated by everyone, but will especially appeal to those who agree with the "less is a bore" comment made by Tony Duquette years ago. Modernism and minimalism have ruled supreme for far, far too long. Mr. Duquette expresses his love of all interior styles except for boring empty spaces. Hollywood glitz is upbeat, fun and interesting even for those like me who would not choose it for their own homes. I agree with other reviewers that this book is even better than the author's fine first book titled "Tony Duquette." Mr. Duquette was truly an American Master.

MORE IS MORE WONDERFUL,FABULOUS AND INSPIRING. A MUST FOR ANYONE LOOKING TO SEE THE WORLD FROM A DIFFERENT ANGLE. A GREAT REFERENCE FOR THE CREATIVE MIND

THIS BOOK EXPLAINS THE MAGIC THAT TONY DUQUETTE MADE!
I knew and loved him; I did not think that it could be explained. I was wrong.
This book is beautifully written by a protege who appreciated every single moment of his life with this fascinating and mercurial character; and his beautiful and mesmerizing wife. It is a totally fascinating story of totally fascinating people.
Hutton captures the magic of Tony and Beegle. Which is like trying to capture a firefly! or two!

Astounding and astonishing. And every word true. I saw it. And I was very lucky to be involved in a small part of it. .

Tony Duquette and the life he led and the things he created with those all around him.....now; that WAS MAGIC!

Penelope

I cannot begin to say what a wonderful book this is. It's beautiful, inspirational, everything a book about Tony Duquette should be. The author has given us great insight into the life and mind of Mr Duquette, showing us how he worked, thought and lived. A must book for every creative person. I cannot put it down.

"More is More: Tony Duquette" is an even more beautiful, engaging, and intimate a book than the previous volume on Duquette that Hutton Wilkinson, the sole author in this case, coauthored with Wendy Goodman just a few years ago. If the first volume left the impression that Duquette and his wife Beegle were, to a degree, talented and well-connected dilettantes, this second book will dispel that notion. "More is More" does in fact cover the glitterati lifestyle of the Duquettes and their over-the-top living environments, but it also devotes a good deal more attention to Duquette's work style, philosophy, and output.

"More is More" opens with Duquette's own perspective, a series of lectures that he delivered in the 1970s in conjunction with a UCLA show of his work. This material, contained in the chapter titled "The Enchanted Vision: Casting the Spell," is enchanting and likely to appeal to a wide audience, indeed anyone with artistic leanings or a love of the exotic. Even more riveting is chapter two ("The Work, the Whys and Wherefores") which details Duquette's typically-long workdays, extraordinary output, lavish shopping habits, and positive relationships with both those whom he paid to work and those who volunteered to help him create monumental roomscapes and complex tapestries. It is this testimony of Wilkinson, who began working with Duquette as a youngster and now carries on his mentor's business, that puts the chapters that follow in "More is More" into perspective, in turn driving home just how remarkable a person and artist Duquette was. Chapter one will likely send your imagination soaring as you see the wonders, especially the natural wonders, of the world in a new way, while chapter two will likely leave you thinking of new uses for nearly everything that passes through your hands and before your eyes.

The remainder of the book looks at Duquette's phenomenal jeweled creations, Beegle and her work as a painter, the Duquette's social life, and their living environments both interior and exterior. These last several subjects were covered at length in Wilkinson's previous book, but the photographs provided and the visual fascination of the living environments justify another look. The previous study of Duquette has had extraordinary selling power for a book so ambitious and pricey. Still, this second volume may well top it in terms of circulation and impact, for there is much more here to inspire a reader's interest in art, adornment and collecting to say nothing of the more substantial insights provided for committed students of the applied arts.