a wonderful memory of a once in a lifetime exhibit. 7 years of drawing before he ever picked up a brush....

This is the catalogue for a 2005 exhibit at the Met. A valuable addition to the literature on Van Gogh, it encompasses his whole career as a draughtsman, and a brilliant one of course. The images are perfect (you sometimes get the impression that you are holding the actual drawing) and the text very helpful, giving sizes, provenances and many excerpts of Van Gogh's own letters.I remember visiting the exhibition in crammed rooms on a saturday afternoon, therefore I was glad to be able to savour it once again in a quieter atmosphere, thanks to the book.

Lord Kenneth Clark, at the end of his book and television series, Civilization, said he had come to believe that there was such a thing as "genius". After looking through this book, so will you.

With over 350 drawings, mostly reproduced in color, and dozens more color reproductions of paintings, this will no doubt be the definitive work of the artist's drawings. We see many of his early drawings, including those enhanced with chalk, watercolor, etc. We see the drawings and watercolors done in preparation for his paintings and then we see the paintings themselves.

But the high points of the book are the three drawings in pen and ink done after each of the paintings and intended as reproductions of those works. He wanted a means to share these paintings with three different correspondents: John Russell, Emile Bernard and his brother Theo. He obviously couldn't afford the oil and canvas to reproduce each painting three more times. These laborious drawings were executed and mailed to individuals with whom Van Gogh wanted to share his work (and perhaps impress), or, in the case of his brother, to also show his love and appreciation. Slight variations among the three drawings after the same painting show further, "post-oil" development of each subject and give us additional insight into his style and his thinking. The color reproductions of his drawings allow us to see how the ink on each has faded over time and a 100-year old reproduction of a drawing shows us how the original has faded over time. Because virtually all of the drawings done as a mature artist were on 9-1/2 by 11-1/2 sheets, the reproductions in the book are almost actual size.

Fortunately, both Bernard and Theo's widow and heirs believed very strongly in his work, including his drawings, and ignored the advice of critics to throw it all away. They continued to promote the artist's work after his death, eventually leading to his broader recognition over the following decades. If you appreciate great drawing, this is a "must have" book.

The book is much more technical than the "Letter" book I recently read. I enjoy that because I have always wanted to know how he painted or drew his pictures as well as how is life and painting developed.

Full of drawings and descriptions of them, it is a great help regarding the importance of drawing and the use of different materials. It is the best collection of drawings from Van Gogh that I have ever been able to lay my hands on. Full of information collected from different museums
A must for those who enjoy a good drawing or are taking drawing seriously.