| 2003 - 2004 |
|
Only Skin Deep: Changing Visions of the American Self, International Center of Photography, New York, NY, curated by Coco Fusco and Brian Wallis; travels to Seattle Art Museum, Seattle, WA |
| 2003 - 2004 |
|
Supernova, San Francisco Museum of Modern Art, San Francisco, CA |
| 2004 |
|
Open House, Brooklyn Museum of Art, Brooklyn, NY |
| 2004 |
|
Singular Forms (Sometimes Repeated), Solomon R. Guggenheim Museum, New York, NY, curated by Nancy Spector |
| 2003 |
|
Going There, DAmelio Terras, New York, NY |
| 2003 |
|
Annotations, Dia Center for the Arts, New York, NY, online project |
| 2003 |
|
Fast Forward: Twenty Years of White Rooms, White Columns, New York, NY (catalogue) |
| 2003 |
|
Stranger in the Village, Guild Hall, East Hampton, NY, organized by the Museum of Modern Art, NY |
| 2003 |
|
Influence, Anxiety, and Gratitude (Toward and understanding of trans-generational dialogue as a gift economy), MIT List Visual Arts Center, Cambridge, MA, curated by Bill Arning |
| 2002 |
|
LIFE DEATH LOVE HATE PLEASURE PAIN: Selected works from the MCA Permanent Collection, Museum of Contemporary Art, Chicago, IL |
| 2002 |
|
Drawings of Choice from a New York Collection, Krannert Art Museum University of Illinois at Urbana-Champaign, Champaign, IL, curated by Joself Helfenstein: traveled to Arkansas Arts Center, Little Rock, AR; Georgia Museum of Art, Athens, GA; Bowdoin College Museum of Art, Brunswick, ME; Cincinnati Art Museum, Cincinnati, OH. |
| 2002 |
|
Recent Acquisitions, Fonds Régional d¹Art Contemporain, Reims, France |
| 2002 |
|
Documenta XI, Kassel, Germany, curated by Okwui Enwezor |
| 2002 |
|
Glenn Ligon, Anthony Meier Fine Arts, San Francisco, CA |
| 2001 |
|
Colored, D¹Amelio Terras, New York |
| 2001 |
|
Portraits and Not-Portraits, Kunstverein Munich, Germany |
| 2001 |
|
Stranger, The Studio Museum in Harlem, New York, NY (catalogue) |
| 2000 |
|
Coloring: New Work, Walker Art Center, Minneapolis, MN (catalogue) |
| 2000 |
|
Currents 81, St. Louis Art Museum St. Louis, MO |
| 2000 |
|
Points of Reference, Fredrick Hayes, , Addison Gallery of American Art Andover, MA |
| 2000 |
|
Good Business is the Best Art, , The Bronx Museum of Art New York, NY |
| 1999 |
|
The American Century: Art and Culture 1900-2000, , Whitney Museum of American Art New York, NY |
| 1999 |
|
Other Narratives: Fifteen Years, , Contemporary Arts Museum Houston, TX |
| 1999 |
|
Contemporary Narratives in American Prints, , Whitney Museum of American Art at Champion Stamford, CT |
| 1998 |
|
Núcleo Historico, , XXIV Bienal de Sao Paulo Sao Paulo, Brazil |
| 1998 |
|
Glenn Ligon: Unbecoming, University of Pennsylvania Philadelphia, PA |
| 1998 |
|
Glenn Ligon, ArtPace San Antonio, TX |
| 1997 |
|
Glenn Ligon: Day of Absence, Ezra and Cecile Zikha Gallery Middletown, CT |
| 1997 |
|
Coming of Age, , White Columns New York, NY |
| 1997 |
|
Sunny Days/Critical Times, , The Bohen Foundation New York, NY |
| 1996 |
|
The Evidence of Things Not Seen: Drawings by Glenn Ligon, Brooklyn Museum of Art Brooklyn, NY |
| 1995 |
|
Photos and Notes, Max Protetch Gallery New York, NY |
| 1995 |
|
Skin Tight, MIT List Visual Arts Center Cambridge, MA |
| 1995 |
|
In The Flesh, Aldrich Museum of American Art Ridgefield, CT |
| 1995 |
|
Fag-o-Sites, Gallery 400 Chicago, IL |
| 1994 |
|
Duchamp's Leg, Walker Art Center Minneapolis, MN |
| 1994 |
|
New Paintings, Max Protetch Gallery New York, NY |
| 1994 |
|
Project Room, Ruth Blum Gallery Santa Monica, CA |
| 1993 |
|
White, Max Protetch Gallery New York, NY |
| 1993 |
|
Good Mirrors Are Not Cheap, Whitney Museum of American Art at Phillip Morris New York, NY |
| 1992 |
|
Glenn Ligon, Max Protetch Gallery New York, NY |
| 1991 |
|
Biennial Exhibition, Whitney Musuem of American Art New York, NY |
| 1985 |
|
Open Studio, Whitney Musuem Independant Study Program New York, NY |
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