Juan Francisco Gómez Cambronero Alonso Artwork Details

 

 

Detailed Description

The project entitled "Toreros" becomes a contemporary painting exhibition taurine concentrated in seven paintings in acrylic on wood, which embodies the moment of crisis that now lives this former Spanish fiesta, with the help of deformation, exaggeration and allegory used in certain elements essential to the fight. The Toreros ... the value as a logo and art as dogma. Vain and humble. Her slim body, long arms and skilled, her long legs and leathery to avoid being caught. His obsessions are shaped like a large door open. Their fears are whistles and pads. His good work is a slaughter. The media need to be attractive and is linked to fame The bull ... noble, strong and often explosive, temperamental instinct and defense are summarized in the daring, lately proportional to the economic value of the beast. But the bull does not exist. Its tail is desired. The protégé of the detractors of the party. Their horns are their weapons, body shield. His dream has to do with pardons and cows. The public ... always behind the barrier, sometimes understood and others less so but still critical. From city or village, ham sandwich. De cap or payment. The wine in the decanter or boot, sometimes you see the ring deformed mainly in the sixth. The level of their cries and agitation give glory or failure All this is "Toreros". A melee in which lots of different sections to the bull fighting, like the horns, holding and overturns the bullfighter ... one hundred percent extrapolated to everyday life. What do you ask bull, bullfighter or public?.